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	<title>Frankenstein Sound System &#187; death</title>
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	<description>IT&#039;S ALIVE!!!! with punk rock reviews and borderline psychotic rock and roll opinions.</description>
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		<title>Fucked Up &#8211; David Comes To Life</title>
		<link>http://frankensteinsoundsystem.com/2011/05/fucked-up-david-comes-to-life/</link>
		<comments>http://frankensteinsoundsystem.com/2011/05/fucked-up-david-comes-to-life/#comments</comments>
		<pubDate>Thu, 19 May 2011 18:36:21 +0000</pubDate>
		<dc:creator>T Frankenstein</dc:creator>
				<category><![CDATA[reviews]]></category>
		<category><![CDATA[spotlight]]></category>
		<category><![CDATA[vinyl]]></category>
		<category><![CDATA[death]]></category>
		<category><![CDATA[fake cities with fake bands on real comps]]></category>
		<category><![CDATA[Fucked Up]]></category>
		<category><![CDATA[lightbulbs]]></category>
		<category><![CDATA[little deaths]]></category>
		<category><![CDATA[other shoes]]></category>
		<category><![CDATA[queens of hearts]]></category>
		<category><![CDATA[ships of fools]]></category>

		<guid isPermaLink="false">http://frankensteinsoundsystem.com/?p=2431</guid>
		<description><![CDATA[Hardcore bands generally don&#8217;t write concept albums. They generally don&#8217;t write 5 minute songs. You generally know what to expect from these guys&#8230;. the streets&#8230; respect&#8230; family&#8230; 1.2.3.4. go! Fucked Up though? Man&#8230; these guys either love hardcore or fucking despise it with every fiber of their being. I can&#8217;t tell the difference. I mean [...]]]></description>
			<content:encoded><![CDATA[<p>Hardcore bands generally don&#8217;t write concept albums.  They generally don&#8217;t write 5 minute songs.  You generally know what to expect from these guys&#8230;. the streets&#8230; respect&#8230; family&#8230; 1.2.3.4. go!  Fucked Up though? Man&#8230; these guys either love hardcore or fucking despise it with every fiber of their being.  I can&#8217;t tell the difference.  I mean they either love it so much as to give it the tlc and attention it so richly deserves or they hate it so much they&#8217;re setting out to destroy it&#8217;s foundations and create something new and better.  More likely though, they don&#8217;t give it a second thought and just do what they do.  Which in this case is writing an album about a British dude named David working in a light-bulb factory that falls in love with and then subsequently is forced to deal with the death of one of his co-workers named Veronica.  I don&#8217;t want to bore you with more of the story than that.  Not that it&#8217;s boring either&#8230; just that I&#8217;m a little fuzzy on the rest of it.  The band can&#8217;t even properly explain what&#8217;s going on when asked though, so I don&#8217;t feel too bad.</p>
<p><a href="http://frankensteinsoundsystem.com/wp-content/uploads/ole-952.250x250.jpg"><img class="alignright size-full wp-image-2430" title="ole-952.250x250" src="http://frankensteinsoundsystem.com/wp-content/uploads/ole-952.250x250.jpg" alt="Fucked Up David Comes To Life" width="250" height="250" /></a>This album isn&#8217;t out yet.  So you&#8217;re getting (for once) an early review out of us.  It comes out on June 7th.  If like me you preordered it from Matador you already have it in its MP3 and/or Flac forms.  I&#8217;d like to revisit this review when the vinyl arrives and maybe I will, but for now you get the digital review.  There&#8217;s four singles off this album (<em>Queen of Hearts</em>, <em>The Other Shoe</em>, <em>Ship of Fools</em>, and <em>A Little Death</em>) that you can download on the Matablog for free right now and if you haven&#8217;t done so you should. Before I had access to the rest of the album I listened to these four songs incessantly.  I was obsessed with each of them.  Obsessed, but also worried that the other fourteen tracks wouldn&#8217;t be as good. I almost didn&#8217;t even want to hear the rest of it cause I knew my expectations were already set too high.</p>
<p>Besides these four singles I also had for some time now the &#8220;David&#8217;s Town&#8221; Comp LP from Record Store Day.  This album is mind blowingly bizarre.  A concept within a concept if you will.  Alright so basically it&#8217;s a compilation of different bands from the town in England where the story in &#8220;David Comes To Life&#8221; takes place. But actually it&#8217;s more than that, because none of these bands even exist.  The town itself doesn&#8217;t even exist.  So really it&#8217;s members of Fucked Up and their friends creating all these different fictional bands and playing songs that they think they&#8217;d play in the fictional town they created on a comp that&#8217;s fictional and yet I still own it.  Even weirder is that if you didn&#8217;t know all that and just listened to it, it actually sounds like a bunch of different bands doing legitimate songs each in their own voices.  I&#8217;m not sure if this is brilliant or insane or both&#8230; but I love it.  Me and P listened to it and just straight tripped out at it.  If you missed it on RSD, you get a download of it when you preorder the album.  I&#8217;m not sure if you&#8217;ll be able to pay to download it separately at some point too.  But check it out.  If only for the track <em>My Old Man&#8217;s a Ginger</em>.</p>
<p>Also by preordering the album they sent me five other non-album tracks immediately.  A couple of them I believe will be on the four 7&#8243;s that come out late June.  They expand on the narrative and introduce new characters and side-plots. Again this is insane as the album itself is comprised of 18 tracks.</p>
<p>Finally after all this from May 10th to the 13th I was able to download a different side of the double LP each day until I had the whole thing.  I almost feel like this whole process of even getting to hear the album in one sitting is one big mind-fuck.  I&#8217;m actually having a hard time writing this review as a result because my brain is moving in like 200 directions at once trying to properly explain all there is to explain.  Maybe it&#8217;s best if I just cut to the chase&#8230; should you buy this?</p>
<p>Yes.  Yes you should.  In fact if it&#8217;s not too late, do the Buy Early Get Now Preorder and get all the extra shit  that goes along with it too.</p>
<p>As I&#8217;m writing this paragraph I&#8217;m struggling to find my earlier point.  Which I believe was this&#8230; can an album with this much going on, with this much hype, with this much build up, actually live up to everything that preceded it?  And the answer in this case is &#8220;fucking hell yeah it can&#8221;.  Not every single song on this album is gold.  I actually think &#8220;Chemistry of Common Life&#8221; might be a little stronger overall.  Particularly &#8220;David Comes To Life&#8221; starts falling off a little for me on Side D.  But it still rules and my opinion of Side D can and probably will change for the better as time goes on.  Everything about this still puts most if not all other modern day Hardcore to shame.  It puts most if not all concept albums to shame.  It puts you reading this right now to shame.  And it&#8217;s exceedingly weird in the best possible ways.  Right now <em>Running on Nothing</em> is my favorite track.  Last week it was <em></em>s<em>Ship of Fools</em>.  Before that it was <em>The Other Shoe</em>.  Just when you think you&#8217;re getting a handle on this album you realize you&#8217;re still clueless.  And in that respect maybe it excels past the rest of their albums.</p>
<p>Check it out.  Check it hard.  O Canada.</p>
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		<title>The Raveonettes – In And Out Of Control</title>
		<link>http://frankensteinsoundsystem.com/2009/10/inandoutofcontrol/</link>
		<comments>http://frankensteinsoundsystem.com/2009/10/inandoutofcontrol/#comments</comments>
		<pubDate>Mon, 19 Oct 2009 17:39:05 +0000</pubDate>
		<dc:creator>T Frankenstein</dc:creator>
				<category><![CDATA[reviews]]></category>
		<category><![CDATA[vinyl]]></category>
		<category><![CDATA[death]]></category>
		<category><![CDATA[garage]]></category>
		<category><![CDATA[overdoses]]></category>
		<category><![CDATA[rock and roll]]></category>
		<category><![CDATA[runaways]]></category>
		<category><![CDATA[suicide]]></category>
		<category><![CDATA[violent relationships]]></category>

		<guid isPermaLink="false">http://frankensteinsoundsystem.com/?p=945</guid>
		<description><![CDATA[Fans of Garage Rock rejoice. The new Raveonettes album isn’t just the best Garage album you’ll hear all year it’s probably the best album you’ll here all year period. I seriously can’t get enough of it. “In And Out Of Control” has all the fun qualities of 50’s and 60’s Rock, smooth vocal harmonies, rockabilly/surf [...]]]></description>
			<content:encoded><![CDATA[<p>Fans of Garage Rock rejoice.  The new Raveonettes album isn’t just the best Garage album you’ll hear all year it’s probably the best album you’ll here all year period.  I seriously can’t get enough of it.  “In And Out Of Control” has all the fun qualities of 50’s and 60’s Rock, smooth vocal harmonies, rockabilly/surf inspired guitar work, and catchy foot stomping melodies.  And none of it is done in a way that sounds like a rip-off of someone else’s sound.  The closest semi-current band to compare them too would be The Jesus and Mary Chain and even that’s selling them short in a sense.  I was a little worried when I went to see them last week at Maxwell’s in Hoboken, NJ only being familiar with their studio albums.  I didn’t know what to expect at all from this Danish duo’s live show.  I was partly worried that their sound was something that could only come from intense studio sessions and overdubs.  But I was wrong.  Dead wrong.  Both Sune Rose Wagner and Sharin Foo can play the shit out of a guitar and their vocal harmonies sounded just as good as on their records.  Sharin even took a break from her guitar duties to play drums on a couple songs.  The Raveonettes were the real deal.  Check out the <a href="http://www.youtube.com/frankensteinsound" target="_blank">videos</a> I posted from the show if you don’t believe me.</p>
<p>Back to “In And Out Of Control” though.  The best part about this album is how they are able to pay tribute to acts like The Ronette’s and Buddy Holly musically but lyrically take things in a completely different direction with songs about abusive relationships exploding in the streets (<em>Bang!</em>), overdosing (<a href="http://www.youtube.com/watch?v=D1unzjyYZhM" target="_blank"><em>Last Dance</em></a>), rape (<em>Boys Who Rape Should All Be Destroyed</em>), runaways committing suicide (<em>Suicide</em>), death (<em>Oh, I Buried You Today</em>), and sadistic women mad for violent men (<em>Break Up Girls!</em>).  They’re a little bit like The Ramones in this sense (they even reference listening to <em>Rockaway Beach</em> at one point).  These songs are either fucked up odes to all the worst parts of the 50s and 60s turning idealistic notions of the time on its head, or they’re a direct reference to the modern day sugar coated by the sweet sounds of the past.  Either way it’s a hell of an engaging listen, total Rock and Roll, and well worth buying.  It’s worth picking up for the songs <em>Gone Forever, <a href="http://www.youtube.com/watch?v=iIzm14K6IOg" target="_blank">Breaking Into Cars</a></em> and <em>Heart of Stone</em> alone.  I picked up the vinyl and not only does it come with a download code but the MP3s have been specially mastered so they don’t sound like shit when you’re listening on the go. Not much more that you can ask for.</p>
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